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Reviews -
Album Reviews
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By Graham Isaac
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Thursday, 29 November 2007 |
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Two Gallants – Two Gallants
Saddle Creek Records
The sticker on Two Gallants’ third full-length describes the record as the “best translation of the duo’s folk-punk-blues alchemy.” If this were true, the combination of Adam Fontaine’s songwriting skills and their striking mix of American styles could have made for hands down the best record of ’07. Sadly, the band forgot the “punk” bit.
As is, 2GS rolls along with a Dylan-esque take on folk-blues. While their previous full-lengths fucked with the formula enough to raise eyebrows, much of this record could be slipped into a set of ‘60s style folk-rock without making many waves.
Which is a shame, really. Without stompers like “Los Crusces Jail” or “Fail Hard to Regain” (from 2005’s What the Toll Tells), the band lacks both the dynamism and sense of fun that made them such a cross-genre force to be reckoned with.
Plus, this is a break-up record. Gone are the murder ballads and character pieces that characterized their past full-lengths, and the political overtones are confined to a few moments of indignation.
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Reviews -
Album Reviews
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By Dan Lurie
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Wednesday, 21 November 2007 |
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Orriel Smith - The World’s Favorite Cluckoratura Arias
Orriel Smith hasn’t put out a hit record since her 1964 folk masterpiece, A Voice in the Wind.
Desperate times call for desperate measures, and in a rash attempt at reviving her career, Smith now offers The World’s Favorite Cluckoratura Arias, an album of classic vocal passages reinterpreted as a chicken would have performed them.
Not since the days of Rusted Root has a singer so convincingly mimicked the vocal inflection of a chicken. Like some freakish cross between Big Bird and Mariah Carey, Smith succeeds in clucking her way through operatic pieces by such notables as Verdi, Donizetti, and Mozart.
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Reviews -
Television Reviews
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By Christian Klepac
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Thursday, 08 November 2007 |
An odd thing is happening in singles bars around the nation - an army of ridiculously overdressed, formerly hapless Internet geeks, Dungeons and Dragons aficionados, and assorted other misfits is descending on Ladies' Nights and Happy Hours everywhere, armed with pre-scripted pickup routines and hokey magic tricks, and they are scoring.
The Revenge of the Nerd has risen from the basements to the bars, and with the help of a mildly heretical school of 1970s Gestalt psychology called NLP, some of these guys are actually getting laid.
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Reviews -
Album Reviews
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By Natalie Walker
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Tuesday, 04 December 2007 |
Islands- Return to the Sea
Equator Records (2006)
Much sorrow met the demise of indie-pop trio The Unicorns. Their irresistibly catchy macabre-pop won them critical praise and a cult-like following. Unfortunately, after releasing only one full-length record, the trio lapsed into a period of creative confusion that resulted in one member leaving to pursue other endeavors (Alden Gingers).
That record, Who Will Cut Our Hair When We’re Gone, turned out to be a sort of self-fulfilling prophecy for the band, with the final song (“Ready to Die”) effectively opening the door for their dissolution.
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Reviews -
Album Reviews
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By Ben Allen
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Tuesday, 23 October 2007 |
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Thurston Moore
Trees Outside the Academy
Ecstatic Peace, 2007
Although
I disagree with him only using his first name (who does he think he is
Cher?), Sonic Youth's main man has released a surprisingly quiet,
pretty album. Asked in a recent Spin interview about the stripped down
nature of the songs featured on Trees Outside the Academy, Moore
replied, “They're more personally naked because I know that [the solo
albums] are not a shared game.”
Trees doesn't stray far from Moore's work with Sonic Youth.
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Reviews -
Album Reviews
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By Ben Allen
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Monday, 15 October 2007 |
Pinback- Autumn of the Seraphs
Touch and Go (2007)
During the recording of their latest release, I imagine Pinback's Armistead Burwell Smith (aka Zach) making this comment to bandmate Rob Crow, “Set a steady course straight ahead, captain.”
While both core members busy themselves with a vast quantity of eccentric side projects, Pinback records have remained remarkably consistent in their construction and sound. Each new release seems to refine and improve on previous recordings. A Pinback record always sounds unmistakably like Pinback – densely layered and thoughtfully constructed college radio pop.
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Reviews -
Album Reviews
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By Peter Morcos
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Sunday, 07 October 2007 |
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Apples in Stereo - New Magnetic Wonder
Yep Roc Records
With an opening track urging listeners to “turn up the stereo and turn off the bullshit on the FM radio,” Apples in Stereo’s latest full length record, New Magnetic Wonder, demands our attention and delivers.
While the abundance of 30-second filler clips make it impossible to suggest every track is a winner, this is still a great album that offers a variety of mood-boosting sing-alongs with yells, whispers and robotic voices.
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Live -
Music
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By Chris Clayton
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Thursday, 04 October 2007 |
Built to Spill Will Probably Rock the Showbox
October 4th, 5th and 6th
The fact that I missed tonight's Built to Spill show at the Showbox isn't a big surprise. You see, I've never seen Built to Spill perform live.
This has not been an easy feat since I enjoy the Boise band quite a bit and, over the past 14 years, have had exactly 1,456,778,999,888 chances to see Doug Martsch and friends space jam, pop rock and generally do their sonic indie thing in concert.
So what in the name of noodling guitar noise makes me qualified to write this preview and recommend you catch the band on night two or three of there 3-day residency at Seattle's Showbox?
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