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Album Reviews
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By Matt Brown
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Wednesday, 02 July 2008 |
Excerpts from a
Drunken Memoir Masquerading as a Review of the Roots' Listening Party for their
new CD, Rising Down, at Neumo's on
June 5, 2008
...After we stumbled out of the Rendezvous into the
backseat of the cab, I punched in the number for The Trucks' promotions pimp
down in Portland, an avowed connoisseur of all things sexy and Scottish, and
handed the phone to Kevin.
While he purred to her in his Glaswegian brogue, I
pulled my finished review of the listening party we were supposedly en route to
from my jacket pocket and squinted at what I'd scribbled during Anita
Goodmann's show. Not too awful,
considering that it was more of a rambling love letter to my various demons and
indiscretions than an imagined account of the events about to unfold at
Neumo's.
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Movie Reviews
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By Chris Klepac
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Monday, 09 June 2008 |
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Heavy Metal in Baghdad is a
wakeup call for musicians, music fans, and Americans of all kinds who have
grown numb to the terrible news coming out of Iraq. There have been so many
powerful Iraq documentaries of late (Taxi
To the Dark Side, Standard Operating
Procedure, Body of War) that it's
hard to imagine being deeply affected by one more, and even harder to look
forward to the experience. However, anyone who loves bands or has ever been in
one should consider this film required viewing.
Acrassicauda (Latin for "black scorpion") is a heavy metal band
made up of four friends from Baghdad
who love Metallica, Slayer, and the release that comes from rocking out. The
folks at Vice magazine became aware
of them in 2003 and began to follow the band's progress, filming them in Baghdad and eventually Syria. Heavy Metal in Baghdad is built from four years of footage of
Acrassicauda rehearsing, recording, performing, and simply trying to stay alive
in the most dangerous city on Earth.
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Album Reviews
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By P.W. Richardson
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Thursday, 05 June 2008 |
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Indecisive Rhythm
Tales from the
Dumpster
[May 2008; Self Release]
Indecisive Rhythm is the brainchild of Amy Mustoe, who has
been working the Seattle
scene for more than five years with various incarnations of her power pop trio.
The band’s sound (lovingly referred to as ‘dumpster pop’) has undergone a
series of changes over the years, but with its current and longest-standing
line-up, IR seems ready to prove itself as one of Seattle’s best performing
acts.
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Album Reviews
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By June Swoons
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Thursday, 15 May 2008 |
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Aranos -
Tax
Pieros 2007
Capitalism.
The word
provokes serious political debate. The kind that is best avoided in the company
of surly foreign nationals at your local watering hole.
Nevertheless,
the topic has made for some great anti-establishment songwriting, even if it is
hackneyed and polemic these days. Or is it?
It's safe
to say that 21st Century America
wasn't deceived
for the first time when the phrase "fuzzy math" driveled from our
fearless leaders' lips in 2000.
See, today's
free market economy has plenty of new virtues. Like rewarding corporate America for disguising
our sweatshop textile dependency with arrogant globalization tactics. Like
utilizing today's trade programs to exploit cheap labor abroad.
Meanwhile,
tell folks in Detroit
that unemployment is better
now than in the 1980s and you might find yourself walking away backwards...very
slowly.
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Album Reviews
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By Red Lehman
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Monday, 12 May 2008 |
The Celebrity Orphans - The Celebrity Orphans
Self Released (2008)
If sex came in tubes of toothpaste, The Celebrity Orphans squeeze out 39 minutes worth on their new self-titled album. Up-tempo rocksters like "Hello," "You Got Nothin," and "Let Me Tell You" are ferociously danceable with BC Campbell and company telling the entire world just who's doing the messin' around now.
Take a listen to slinky "Hello" and you can imagine mister broken-heart deciding he was done being the victim: "notify my next of kin...cause you and me are gonna sin." Or take the delta-bluesy "Let Me Tell You" where BC announces, "Listen my pretty to my little ditty cuz what do you got to lose?" Slow burners like "Broken Night" and "I Need You" (with beautiful, haunting back-up vocals from bassist Angelina Baldoz) draw comparison to Chris Isaac while the terra firma terror on "Rollercoaster" and the bouncy 70's "Car Crash" compare favorably to the Talking Heads.
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Album Reviews
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By Chris Klepac
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Monday, 12 May 2008 |
Tapes n' Tapes - Walk it Off
Beggars Xl Recording (2008)
The buzz around Tapes n' Tapes is that they were one of the first "blog bands" brought to real world fame by an enthusiastic Internet campaign. The truth is that they are just some nice boys who met at Minnesota's Carleton College and put out a couple of albums of catchy indie rock that is somehow both austere and funky.
2005's The Loon introduced a mix of earnest, slightly goofy confusion and tight, ornate rock songs that hearkened back to Spoon, The Feelies, and The Pixies. Their second LP, Walk It Off, is more lush but hardly more subdued.
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Album Reviews
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By Matt Ashworth, High Potentate
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Thursday, 01 May 2008 |
Black Mountain- In the Future
Jagjaguwar Records (2008)
If you would have told me six months ago that I’d spend the first half of 2008 gushing over a record steeped in the classic rock sounds of the 70s I would have probably scoffed pretentiously and muttered something about the forthcoming Magnetic Fields album.
Enter In the Future: the sophomore release from Canadian retro-rock revivalists Black Mountain. Ten perfectly executed tracks of booming, intricate rock and spooky folk woven in to a flawless tapestry of awesomeness.
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