| 2011 Faves: 25 Recorded Musical Albums We Liked |
| By Matt Ashworth, High Potentate | |
| Sunday, 01 January 2012 | |
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Doing so gave us a chance to wade through countless other opinions on the year’s best music, movies and television programs. In sharing as many links to 2011 year-end lists as we could find through our Twitter and Facebook pages, we were reminded about stuff we fell in love with earlier in the year and got a chance check out some things we missed. The holidays afforded us extra time off from work to catch up, and ultimately we were more informed when we weighed in with our final votes.
Greg Lehman raved about this guy’s set at Bumbershoot this year, and apparently he wasn’t the only one who discovered the Minneapolis based kitchen-sink-hip-hop-folk-singer in 2011.
Yummy 50s girl group influences set to thick, shimmery guitars. Lovely.
I’ve heard this described as “R&B music for the Indie rock set,” which puts me in the target audience I guess. Love what I’ve heard.
On Marble Son, it feels like long-time Sykes collaborator Phil Wandscher (formerly of Whiskeytown) took control of the Sweet Hereafter’s sound, which is extremely guitar-heavy and feels like a completely different band this time around, says former Nada Music Editor Adam Lawrence. He also suggests that it’s best listened to “through comically over sized headphones with a long twisty cord.”
I always thought the Strokes were kind of a modern day version of the Cars – both are great bands with great songs that didn't get any Indie cred because they released their music on major labels. Then the Strokes reunited and released Angles, which sounds like a Cars record. I was glad to see a couple other contributors voted for this album. It deserves to be in the top twenty. I even got to see their comeback show at SXSW and it totally ruled.
One of a handful of under-appreciated bands signed by the mighty Sub Pop records in the last few years.
I’ve never made time to listen to this band, fronted by my third favorite vocalist in Vancouver, Canada’s The New Pornographers, but critics sure seem to love them.
Earlier this year I listened to three songs by every artist performing at the annual Sasquatch! Music festival at the Gorge Amphitheater in central Washington and Tweeted my thoughts (follow along this year at @ashmatty and @nadamucho, hash tag #NMSquatch). That was my introduction to Wye Oak’s gorgeous, folky melodies and big washes of dreamy, distorted guitar, and I’ve been a fan ever since.
With many of our contributors counting the Beastie Boys among the critical bands of our formative years, it’s hard to tell if we’re voting on legacy and history here, but I sure to like this record and apparently so do the rest of the crew.
Here’s the latest precocious Indie rock band that everyone’s going ga-ga over. Give me Q1 2012 to decide if I buy it or not.
This one came out at the tail end of 2010 but we can’t leave it out (my instinct's tell me The Black Keys December 2011 release, El Camino, will get enough votes to make our list in 2012 too). The Thermals are one of those bands that are truly more than the sum of their parts, breathing new life into catchy, fuzzy guitar rock. This is a great record.
Nothing new or innovative here, just fantastic, angular Indie guitar rock like the Pixies and Sleater-Kinney, who made us want to start a music 'zine in the first place. Wild Flag features two members of S-K – drummer Janet Weiss and guitarist/vocalist turned Portlandia star Carrie Brownstein – alongside guitar goddess Mary Timony of Helium. Unfortunately the camera didn’t pan far enough back to spot me and fellow Nada contributor Dan Lurie bobbing our heads along to this song from their SXSW live performance for KEXP this year,
Intriguing stuff from this San Francisco duo, who avoid the software slump on Father, Son, Holy Ghost. I dig everything I’ve heard and need to spend more time with both of their records – this one and 2009’s Album.
No co-founder Gabe Baker and I saw this country-ish rock band at the Tractor Tavern in October. Their set was like their first couple albums – loose, fun, uneven and sprinkled with flashes of brilliance. Divine Providence is their most consistent record to date, edging closer to Replacements barroom stomp than their previous efforts, but I still think their best album is yet to come.
I’m usually not one for instrumental rock music, but either my tastes are changing or Russian Circles are just that good. Because “Schiphol” is one of my three favorite songs of the year.
I’ve yet to play the whole thing, but I dig the songs I’ve heard and still rate Kanye’s Dark Twisted Fantasy… among the best albums of the past five years. I’m not surprised this got so many votes.
The latest from this French act was included on more ballots than any other artist this year, which probably means I should go ahead and check it out.
I think I missed the show of the year when Blake played the Tractor earlier this year. Contributor Charlie Larson called his set “the perfect blend of rhythm and melody” and I tend to believe him. Tracks like “Limit to Your Love” and “The Wilhelm Scream” feel affected by a higher power. Jeff Buckley’s cover of Leonard Cohen’s “Halleluiah” is the only comparison that jumps to mind.
The Big Roar is a great debut that showcases the Joy Formidable’s wonderfully catchy and inventive songs, but the most exciting thing about this Welsh band is that they still haven’t captured their amazing live sound perfectly on record yet. When they do, watch out.
This Atlanta garage rock band’s first four albums featured equal parts perfect garage rock, filler and failed experiments, so it’s nice to see them finally put it all together. My personal number one album of the year, Arabia Mountain is solid from top to bottom and features at least seven of my favorite songs of 2011. Production help from Mark Ronson probably didn’t hurt.
My favorite punk/hardcore band since the Blood Brothers, this Toronto band seemed to emerge from nowhere in 2011 (despite the fact that David Comes to Life is their third studio album since 2006.) Our contributors also raved about their live show, which I hope to catch in 2012.
Milwaukee act Bon Iver (the songs of singer/songwriter Justin Vernon) responded to the critical acclaim of 2007’s gorgeous For Emma... by changing gears on the eponymous follow up. Here Vernon opts for a big, full chamber pop sound that suits his pretty voice and intriguing stories just as well as the sparse acoustic guitar of his debut. Plus, chicks seem to totally dig him.
AA Bondy – Believers; Apparat – The Devil’s Walk; Atlas Sound – Parallax; The Beach Boys – The Smile Sessions; The Boxer Rebellion – The Cold Still; The Black Keys – El Camino; The Cave Singers – Invitation Songs; Chad Vangaalens – Diaper Island; Charles Bradley – No Time for Dreaming; Ceremony – Into the Wayside Part I/Sick; Childish Gambino – Camp; Clap Your Hands Say Yeah – Hysterical; Craft Spells – Idle Labor; Cut Copy – Zonoscope; The Drums – Portamento; Explosions in the Sky – Take Care, Take Care, Take Care; Foster the People – Torches; Ghost – Opus Eponymous; The Glitch Mob – We Can Make the World Stop; Gold Leaves – The Ornament; Helms Alee – Weatherhead; Kasabian – Velociraptor!; Lady Gaga – Born This Way; Liturgy – Aesthetica; The Lonely Forest – Arrows; Mayer Hawthorne – How Do You Do?; Mogwai – Hardcore Will Never Die, but You Will; Mickey Newbury – An American Trilogy (reissue); Mountain Goats – All Eternals Deck; Nero – Welcome Reality; The New Division – Bucharest; Shabazz Palaces – Black Up; Sigur Ros – Inni; Soundgarden – Live on I-5; Summer Camp – I Want You; Old 97's – White Port; Queens of the Stone Age – Queens of the Stone Age; Radiation City – The Hands That Take You; Radiohead – King of Limbs; Seapony – Dreaming; Sleeping Bag – Sleeping Bag; Thurston Moore – Demolished Thoughts; Trash Talk – Awake; Wolves in the Throne Room – Astral Blood; Wugazi – 13 Chambers; Yacht – Shangri-LA; Wilco – The Whole Love; Wooden Shjips – Lazy Bones More 2011 coverage:
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I have no shame in waiting until the first day of 2012 to finalize our 2011 year-end coverage.
25. Grouplove – Grouplove EP & Never Trust a Happy Song (Atlantic)
24. Drive-By Truckers – Go-Go Boots (ATO)
23. Astronautalis – This is our Science (Fake Four Inc)
22. Cults – Cults (In the Name Of)
21. The Weeknd – House of Balloons (Self Released)
20. Jesse Sykes & the Sweet Hereafter – Marble Son (Fargo)
19. The Strokes – Angles (RCA)
18. Male Bonding – Nothing Hurts (Sub Pop)
17. Destroyer – Kaputt (Merge)
16. Tim Hecker – Ravedeath, 1972 (Kranky)
15. Wye Oak – Civilian (Merge)
14. Beastie Boys – Hot Sauce Committee (Capitol)
13. Real Estate – Days (Domino)
12. The Thermals – Personal Life (Kill Rock Stars)
11. Wild Flag – Wild Flag (Merge)
10. Girls – Father, Son, Holy Ghost (True Panther)
9. Deer Tick – Divine Providence (Partisan)
8. Russian Circles – Empros (Sargent House)
7. Jay-Z and Kanye West – Watch the Throne (Def Jam / Roc-A-Fella / Roc Nation)
6. M83 – Hurry Up, We're Dreaming (Mute)
5. James Blake – James Blake (A&M/Atlas)
4. The Joy Formidable – The Big Roar (Atlantic/Canvasback)
3. Black Lips – Arabia Mountain (VICE)
2. Fucked Up – David Comes to Life by (Matador)
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