| Classic Nada: Neil Young 101 |
| By Nada Overlord | |
| Tuesday, 20 January 2009 | |
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--Ed. Neil Young 101 By Matt Ashworth and Gabe Baker Here at Nada, we firmly deny individualism and strongly support oppressive social conformity. Unbeknownst to you, our loyal reader, we have conducted extensive clandestine market research into every aspect of your private life. We will eventually use this knowledge to further our nefarious purposes. Don't believe us? Think we're just another pack of wanna-be Rolling Stone writers churning out a half-ass e-zine that will only be seen by pus-oozing cretins who misspelled "teen sluts" in a Yahoo search? A small demonstration of our powers should cause all you unbelievers to soil your collective shorts. Our research has conclusively demonstrated that, when it comes to Neil Young and his music, you can be neatly categorized as a member of one of three groups. The first group consists of folks, we'll call them 'grad students', who should probably drop Neil 101 from their schedule, and enroll in a more advanced course. (This does not mean stop reading.) This group already knows and loves Neil Young. They have most of his albums, or at least know which ones they like and why, and they have probably seen him in concert at least once. These guys get pretty annoyed when today's alterna-teens (most of which have never heard an entire Neil album) spew unfounded praise upon their grizzled hero, and they sure as hell don't need Eddie Vedder to tell them that Neil rocks. The second group is our target audience, the undergraduates. These folks know of Neil as an enormous influence on rock music. They have heard his name uttered by everyone from Thurston Moore to Snoop D O double-G. They've heard a few songs from Harvest and Rockin' in the Free World on the classic rock station in their home town. However, they are a bit intimated by Neil's huge catalog; with over thirty albums it's hard to know what to purchase. This category of fan really wants to proudly say, "I like Neil Young," because they know that to do so and mean it is coolness itself. Now the third type don't know anything about Young, they barely recognize his name, and aren't so sure they even give a damn about hearing another old guitar-toting fart. These tykes need to hit the books, or they will have no chance of passing the Rock SATs that they are all so stressed about. Now all three need this article, but for different reasons: Grad students: This is a refresher course for you at best. We look forward to your constructive criticism. Undergrads: You of all people need this the most. We know that you have been embarrassed in the past when a true fan sniffed out your bandwagon allegiance to the Church o' Neil. Your shallow knowledge is understandable, as Young's vast catalog and expansive career can seem overwhelming to a novice. Young-uns: We implore to continue, you need all the help you can get. You basically don't know shit and are a very uncultured person. Society begs you to better yourself. We can help you...if you let us. NEIL 101 SYLLABUS I. Welcome to Neil 101 In order to get a handle on the stunning scope of Mr. Young's work, we'll start with a couple compilations. The overview will also allow the less dedicated student to obtain a shallow understanding of Neil's greatness, before dropping out to mow their neighbors lawns while listening to Live on a battered Walkman.
Live Rust (1979)
Decade (1976) II. Neil's Career. For the purpose of this course, Neil's albums will be divided into four categories: strung-out, epic, rock and country. Of course, these categories are arbitrary and meaningless, especially when applied to perhaps the most stylistically diverse artist in rock history. In each category, I'll recommend a few of Neil's best works in that general vein. Purchase the top pick in each category, along with Live Rust or Decade, and you'll be taking your first steps toward Neilvana. Purchase all the recommended selections, and you'll be cooler than all your friends. Strung-out. Neil Young expresses pain more eloquently than any artist I've ever heard. The common thread among these albums is an overwhelming expression of harsh emotions: anger, pain, despair, resignation.
Tonight's the Night (1975) Epic. As in, "on a grand scale." These albums are a fascinating amalgam of fantasy, folk tales, American history and rock n' roll. A mixture of big rockers and folk ballads, the songs congeal to form a completely unique exploration of American mythology.
Rust Never Sleeps (1979)
Zuma (1975) and American Stars n' Bars (1977) Rock. Neil kicks ass on guitar jams, especially when backed with the dinosaur stomp of Crazy Horse. Feedback and fucked-up solos all around. This is classic rock in the best sense.
Everybody Knows This is Nowhere (1969)
Ragged Glory (1990) Country. While country influence can be heard on all of Neil's albums, it's more prominent on these albums then most. However, these selections again show how silly it is to try to pigeonhole Young's work. Fierce rockers rage alongside the beautiful country-folk tunes that ground these albums.
After the Goldrush (1970)
Harvest Moon (1992) So there you have it, scholars. Buy the albums and study up. There will be a final, and Cliffs Notes won't help at all. Nadamucho.com presents a Neil Young tribute on Thursday, January 22 at the Sunset Tavern in Ballard with At the Spine, Elder Mason, Spanish 4 100, Hazelwood Motel, Amateur Radio Operator, Herman Jolly, Joe Gould’s Secret, the Harvest Moons, and Van Gross, who recently spent 5 minutes with the Snizz. (0) Comments |
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