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The
Oswald Effect
Battle
Hymns of the Fifth Column
[Self
Released; 2007]
The
Oswald
Effect
capture a broad range of influences and come out the other end with a
unique blend of cool on their self-released debut LP Battle Hymns
of the Fifth Column. The album is a dark jest at the power of
money and the corruption of humanity, on which T.O.E. tackle a
bizarre array of grim topics – from incest to assassination –
in an eleven-song tongue twister.
T.O.E.’s
sound is rich with the warm crunch of loudly ringing guitars. Heath
Bauer’s vocals are insanely raw at times, swinging from
crawling word play into jaguar screams at the drop of a sixteenth
note.
Bauer’s
battle-scream singing style transforms this avalanche manifesto into
a story of death, pain, fear and betrayal. The words tend to fly by
as you sit back and let the coffin-nail tight rhythm section pound
you into submission. And the band’s engine roars under the
glowing flurry of notes guitarist Aaron Walters fires off among
Bauer’s vocal licks.
All
the rock and roll bluster here is not without some seedier moments.
On
‘Bring Your Precision,’ the band reaches down under its
collective seats to finger the wads of chewed gum. Musically, this is
my favorite song, but I must admit that the lyrics are beyond my
understanding. Bauer sings, “All of us want to have a piece of
you, but we will all be masqueraded from head to toe, bring you’re
precision girl, I got to control your world with sex, drugs, and rock
n roll, a thick pill in your drink after which in the pink I will
sink, I will have my way with you, when you hit the ground…”
The only thing I can even possibly think is that this was an attempt
to write something akin to Nirvana’s ‘Polly.’ The
band, however, really misses the mark on this one. I am no priest and
I am not licensed to practice medicine, but it might be wise if
whichever one of you wrote this had your head examined. - (6/10)
The
Oswald
Effect will release their new album, Love & Sabotage, at a March 22 show
at Seattle’s new King
Cobra venue on Capitol Hill.
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Balls of Fury: Oswald Effect’s debut hums with effective rock Johnny Oswald March 21st, 2008 - 2:26 PM Our thanks to P.W. for his insightful review of Battle Hymns of the Fifth Column, which we released in late 2004/early 2005 (wish we could say we were able to have put records out ourselves in back to back years, but alas, that degree of productivity has alluded us to this point).
Normally we wouldn't feel the need to respond to any review let alone one so flattering and well crafted, but with the interest that any and all might experience guilt-free listening we thought we should take the opportunity to clarify the content of the lyrics on "Bring Your Precision", which were understandably quoted and questioned by P.W in the article. Much of the record lyrically is conceptual and delivered in the second or third person. In "Precision" the central character is in fact a villainous seedy mother fucker, and Heath very much intended the song as a warning to his own daughters and all of our sisters out there; there are indeed some exceedingly fucked up men among us who would objectify you, indirectly or directly harm you and cause you to doubt your self worth. The only acceptable answer to this paradox being, of course, never afford anyone that opportunity.
Thank you NadaMucho, you know who loves ya! Beloved advocates of local music and the most undervalued online or printed resource in the Seattle music scene we've ever encountered.
Love & Sabotage! -The Oswalds
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