By Todd Bunker

Something strange happens to people when they live in tiny, isolated groups – anyone who’s lived in a small farming, logging or fishing town can tell you that.

The Sea follows the story of the estranged son of a (relatively) wealthy cannery owner from a small

You are out of your fucking mind if you think that anybody wants to listen to your homo-retard, casio-watch- recorded beats or your anal-love-seeking, one-night-in-Bangcock (emphasis on COCK) wannabe pseudo-rap (if you can even call it rap at all).

By Professor MayMayN0L0

I was totally prepared to hate the new Locust album; looking forward to it even.

My unhealthy scepticism developed in response to a dance remix of the San Diego power violence band's last album, not to mention rumours that their new album being on Epitaph (all Anti's contact info is at Epitaph.com) who have a history of watering down harsh music for public consumption.

Unfortunately for me, I don't get to hate Plague Soundscapes. Because its good. Really fucking good.

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Can singer-songwriters ever get old? Can beautiful songs really bother us? Will we turn against a singer because he plies his craft in a reliable fashion, album after album – will we become bored? Yes, with some artists we will become bored: we want drama; we want a weak album followed with a soaring return to form, and somehow knocking out great songs time after times seems...predictable, safe, and very un-rock. Somehow though, Damian Jurado has avoided this curse.