1917: Mendes’ Single Shot Misses Badly
Tim Basaraba – So they say limitation breeds genius? And Hitchcock’s Rope (1948), Noe’s Irréversible (2002) and Enter the Void (2009), and even Silent House (2011) benefited from from a “single shot” (wink, wink) approach? Could Academy Award Winner Sam Mendes benefit from this limitation as well?