Peter Cameron – Brutalism sucks. There, I’ve said it. It’s an architectural movement that enrages me. I find Brutalist buildings worse than hideous—they’re cold, alien objects unworthy of praise. Brady Corbet’s new film, The Brutalist, however, is anything but.
Peter Cameron – Sean Baker’s Palme d’Or-winning Anora explores the swift and costly romance between the titular character and a wealthy Russian youth, along with the unavoidable consequences of their affair. It’s a narrative that delves into class and cultural divides—a story of dreams shattered by the almighty dollar.
Nosferatu (2024) Directed by Robert EggersStarring Lily-Rose Depp, Nicholas Hoult, Bill Skarsgard and Aaron Taylor-Johnson When I saw Robert Eggers’ second feature-length film, 2019’s The Lighthouse, it felt like a revelation. It…
Peter Cameron – This film, no pun intended, is about alienation. We are blind to the processes behind the production of the things we use and need. We don’t know where our food or consumer goods come from.
Peter Cameron – Richard Thorpe’s Jailhouse Rock is a sleek vehicle for the infamous hips of Elvis Presley. It tells the story of Vince Everett’s rise from a manslaughter conviction to rock star mogul. And, of course, the soundtrack is key.
