Tim Basaraba – Films for children do BIG BUSINESS. Some even “wow” the audience visually as well. Only a few do it all – box office success, stunning visuals, and a compelling, heartfelt story that connects with audiences of all ages and backgrounds.
Tim Basaraba – Much like they did with 2022’s Aftersun, A24 studios is allowing a first-time filmmaker to tell their story, their way with Past Lives, an intentional, articulate and surprisingly whimsical look at modern relationships from director Celine Song, a well-known Korean Canadian playwright making her first foray to the silver screen.
Tim Basaraba – Chile 76′ succeeds on multiple levels – as an authentic period piece, a visual masterpiece, an aural experience, and a career-defining performance.
Tim Basaraba – The 49th annual Seattle International Film Festival kicks off later this week, which means it’s time to share the films I’m most excited to see.
Tim Basaraba – Melodrama is not a bad word. Sure, it gets a bad rap for intentionally eliciting emotional responses, but isn’t that what cinema is supposed to do? A.V. Rockwell’s feature film debut, A Thousand and One, does just that – uses melodrama in an attempt to make the audience feel a particular way.
