Thoughts from the masses on the Beastie Boys catalogue... Read more
Tim Basaraba – Simple, quaint, effervescent and beautiful. No, I am not describing myself, I am describing Petite Maman. No need for blustery preamble, no need for detailed explanations about the fantastical things that are happening, and most importantly: no teary-eyed monologues hoping to strike Oscar gold.
Tim Basaraba – One of my guilty pleasures is watching horror films that come out in January, February or March. Studios front load each year with films that have little to no hope of making money. Nine out of ten usually aren’t very good, but there’s usually one that exceeds expectations and can be considered a high-quality film regardless of its genre label.
Tim Basaraba – The little film that could. Every few years we get one that’s an artistic triumph as well as a financial success. This year’s is Everything Everywhere All At Once, directed by the team simply known as “the Daniels.”
Tim Basaraba – I am ignorant about most foreign cinema. Sure, I have my favorite international directors: Guillermo del Toro, Alejandro Amenábar, Bong Joon Ho, Pedro Almodóvar, Yorgos Lanthimos, Gaspar Noé and of course Lars von Trier are a few of my favorites who’ve had success here in the US. But cinema from India? It’s new to me.
Frida Ray – Sweet goddamn Seattle —where to begin this musical love note? How about with my choice of clothing for the festival: mini skirt, half shirt, vintage vibe high heel boots and sparkly leg warmers. Not the best of ideas on a cold-ass PNW night, stomping around the tenth annual Freakout!
