Thoughts from the masses on the Beastie Boys catalogue... Read more
Tim Basaraba – This is the fifth Scream film. Can you believe Wes Craven was able to deconstruct modern horror with FOUR films before he died? This was an especially amazing feat given he helped redefine the genre in the first place. Could a new set of directors, Matt Bettinelli-Olpin and Tyler Gillett, tap into what made the originals so special?
Tim Basaraba – After years of explaining why horror films are an important form of art, I’ve truncated my standard long-winded explanation down to this: “Good horror films take otherwise banal stories about human struggles and tell them in a visceral, exciting way.”
Tim Basaraba – Slasher films are my least favorite king of horror movie. Historically, the sub-genre has a history of good first entries followed by a long string of sub-par sequels that almost always fall flat. Great debuts like John Carpenter’s Halloween (1978), Wes Craven’s A Nightmare On Elm Street (1984) and, to a lesser extent, the original Friday The 13th (1980) used the format to offer meaningful social commentary.
Naomi Jean Cooper – Several years ago, I started getting out of the house again after about a decade of intense challenges and isolation. I had found a place to go, connect, and smile again – Seattle local music venues. The friends and connections I made at these venues eventually led me to Weird and Night, Monster Planet, and Nada Mucho.
Tim Basaraba – May I go on an anti-remake diatribe again? OK, I won’t, but if you want to understand my growing disdain for recycled IP you can read my reviews of Ghostbusters Afterlife, Westside Story, and many more). Is the 1984 version of Firestarter a beloved film that no one should ever attempt to remake?
